So much of the joy of these final sequences comes down to Hoppers' animation, which brings each of its characters to breathtaking life, hair by hair, scale by scale, and feather by feather. A particularly funny touch? Animals' appearances change based on perspective. When we're seeing them from a human's point of view, they seem almost toy-like, with black beady eyes and neatly kept fur. From an animal's perspective, their eyes are more expressive, and their other physical characteristics are more detailed and disheveled. When Mabel is in the beaver body, its fur takes on the same spiky swoops of her hair. The switches between these points of view turn Hoppers' third act into more of a riot than it already was. Truly, I wish I could experience it for the first time all over again.
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更何况，真正会发生的更可能是，一旦员工知道自己的每一句话都在被评分，行为就会发生扭曲。「友好」从一种自发的态度变成了一种被监控的表演。你会在每句话前面加上「请」，不是因为你真的想要礼貌，而是因为你知道系统在听。你会在递出汉堡的时候说「谢谢您的光临」，不是因为感谢，而是因为不说这句话你的分数会低。